Workers, collective farm workers, youth of the city and district took part in the creation of the museum. In their free time, they rearranged rooms, decorated the interior and exterior of the building, and made stands and showcases. Pensioners, veterans of civil war and World War II actively collected materials, household items, various documents, which later became museum exhibits. The museum's collection includes more than 6,000 items, including archaeological, natural and written and printed items, numismatics, photos, ethnography, and memorial items. All these things characterize the material and spiritual heritage of Ukrainian and other peoples living in the region, their way of life.
A wooden skete, rebuilt in early 2000s in the traditions of early Russian wooden architecture of the 16th–17th centuries. Part of the Holy Mountains Lavra of the Holy Dormition.
Drama Theater in Mariupol. The house is built of Crimean inkerman gray stone in the style of monumental classicism with a huge number of stucco decorated components. On the facade of the building there is a sculptural composition, where the main role is given to metallurgists and farmers as the main professions of the Azov region, to whom the patrons of art perform a laudatory ode. As a result of the bombing the theater was destroyed on 17th March 2022.
A photograph depicting a scene from <em>Chasing two hares</em>, a play by M. Starytskyi, produced by Donetsk region drama theater in Mariupol. Directed by Anzhelika Dobrunova.
A photograph of the Winter Theater founded in the late nineteenth century by Vasyl′ Leontiǐovych Shapovalov. It was later replaced by the Donetsk Academic Regional Drama Theater in 1960.
In 1941, the building housed a military hospital. While retreating from the city, the fascists burned the building of the former male gymnasium along with other houses. All that remained of it - burnt brick walls - was transferred to the industrial technical school. Reconstruction work was completed in 1952.
This hospital was built at the soda factory and located in the "Belgian heritage," the conventional name of a residential quarter in Lysychansk, which consisted of residential and public buildings erected at the end of the 19th - beginning of the 20th century for the servants and workers.
The exhibition features felt toys made by the artisan Olena Leonidivna Tomozova over the course of several years. The toys were inspired by fairy tales and poems from her childhood.
